Street Kreditz: OTR .840 12 Marker Set $28.99
Street Kreditz: OTR .840 12 Marker Set $28.99
http://www.artprimo.com
OTR .840 12 Marker Set $28.99
OTR .840 12 Marker Set
[1002031]
On The Run .840 12 Marker Set
The OTR .840 Graphic Marker set is the latest offering from On The Run. These are twin tip markers made for drawing and sketching. These are very similar to the OTR .830 sets, although the 840 sets come in different color palettes and different packaging. They work well if the other OTR graphic markers. The 840 marker sets come filled with ethanol based high-quality ink made in the USA. Use OTR graphic markers for your blackbook/sketch for the best look and feel.
This is the 12 Marker Set of On The Run .840 graphic markers. It features primary and basic colors.
SKREAM!!!
At first Skream specialised in one flavour of dubstep: dark. His clipped, techy minimal style became a trademark sound. Long before grime existed, it reflected dark murky streets and sinister nights, the sound of decaying London and its frustrated communities, stuck out in satellite towns and sink estates with nothing but a PC and freely available software to channel their frustration into. Stuck in front of a PC for days on end, that's exactly what Skream did. Then two years ago Digital Mystikz burst onto the dubstep scene, expanding the sound with new flavours and vivid colours. Skream became even more inspired. It not like he wasn't prolific already - rumour has it he's made over 1500 tracks - but out poured a host of bright new tracks from the wonderkid. Indian remix took him into trippy Asian territories, Cheeky... into Arabia, his unreleased mixes of Sunship fused Jamaican dancehall smut with hooky Kraftwerk melodies. "Smiling Face" broke out cheerful reggae skanks on dancefloors. But his biggest tune was yet to come. Enter Midnight Request Line - on Tempa records - an anthemic explosion of electro arpeggios and dub sub-bass. It's a tune you can sing along to: Skream has it as his own ringtone. When it got dropped by DJ Youngsta at club Forward» grime dons Wiley, Jammer and the rest of Roll Deep began to shock out, flashing their lighters out of hard earned respect. The flip of this mighty release is bassline boomer "I," an excursion into deep dub basslines and shifting cinematic textures. ***Since the huge success of Midnight Request Line UK & International DJ gigs have been coming thick and fast, with Skream getting a rapturous response at New York's rammed Dub War event, as well as at shows in Leeds, Belgium, Bristol & Germany. He's also been busy releasing classic after classic on the popular Skreamizm EPs, now into the second volume. From the Amen heavy rinse out of Lightning Dub, to the masterclass in LFO-wobbling sub-bass Blipstream, these tracks are rewound at every dubstep rave, have received glowing reviews and are appearing in sets by DJs as diverse as Mr Scruff, FreQ Nasty & Ricardo Villalobos.*** It shouldn't come as any surprise he likes sub-bass, Skream has grown up around it. His older brother was a member of Croydon's notorious jungle hell-raising raving outfit Intanatty Crew, which featured Radio 1's Grooverider and Bailey's 1Xtra as members. Ollie, Skream's real name, is no stranger to a bit of hell raising himself, famous for his up-for-it behaviour at parties or out on the town. In fact he's the only known music artist with a subdued alter-ego. Most rock stars are quiet by day with flamboyant alter-egos. Our wonderkid is the other way around. But then that's wonderkids like Skream for you: unique.
Enter the 37th Chamber
01. Duel of the Iron Mics
02. C.R.E.A.M.
03. Mystery of Chessboxin’
04. Can it All Be So Simple
05. Uzi (Pinky Ring)
06. Interlude
07. Glaciers of Ice
08. Cherchez La Ghost
09. Criminology
10. Heaven and Hell
11. Bring Da Ruckus
12. Protect Ya Neck
13. Incarcerated Scarface
14. Shimmy Shimmy Ya
15. Outro
holy shiiiiizniT!
HAVIN A FUCKIN GOOD TIME AT SKIPS HOUSE! WASNT SUPPOSED TO COME BECAUSE OF THE RAIN BUT THE GODS HAVE HEARD MY VOICE AND PARTED THE SKYZ! I LOVE FUCKN GOOD JUNGLE IN THE NIGHTS AIR! IM BACK YA'LL SO UUUUUH, GIMME FITYFEEEET! FUCK IT JUST GIVE ME A COUPLE DOLLAS AND I'LL SEND YA A FUCKIN MIXTAPE !!1 YEAH THATS RIGHT JACKY EARL IS BACK IN DA FUCKN BUILDING!!!! EAT MY FUCKN NUTZ!!!! SORRY BOUT THAT IF YOU HAVE A SHALLOW THROAT OR A WEAK STOMACH! SIKE!!! OTB ROC FTR FO LIFE! FUCK THA REST!
Ribbz & Docstafari - BRING THAT BEAT BACK 2001 MIX
ICON BOMB Sighting in Shreveport, La
Check out this dope stencil brought to you by ICON. This kid has skill no doubt! Crisp, clean and defined! Hope to see more work by ICON... Hopefully we'll get to see some of his work in Houston soon!
5 Minutes In the Dark
In and out! Through the bayou, fleeing pitbulls, on that drank, on tha run, had too much fun! I wish I could have seen what was going on!!!
STREET DREAMZ
It's Always Something
As you climb a dark stairway, dub bass reverberates off the walls from the second story chamber. Posted along the walls are spectators & performers and the dance floor is spinning with b-boys & b-girls. As the DJ cuts with precision like a switchblade, the MC goes mental into the microphone, swaying about in the dark, pushing his message to all who open their ears.In an world dominated by industry standards and classifications, comes a multi-talented duo capable of blazing a drum and bass show, as well as a hip hop show, or a combination of both.Rewind to '99 to find 360 rising thru the ranks of the Southeastern drum n bass scene with the innovative Straight Out Da Lab (SODL) crew with DJ Kaotic. Meanwhile, Fi3Ld (pronounced Field) was making a name for himself by smashing soundsystems with the legendary Outthabox (OTB) crew. After being billed on the same show, these crews began working in tandem to elevate the level of the expanding drum n bass & hip hop scene on the Southern US coast. Thus began their never-ending search for venues and outlets to release their sounds.Fast forward to the present, to a time where digital dominates across the board to find these two devising a way to collide the synthetic with tangible turntables and microphones. Along the way, they've encountered numerous DJ/MC combos, but few have collaborated as long as these two - thus giving them an undeniable and unmatched energy and sound.At the end of the day - it's all about freedom of expression. Everybody wants to get their music out there and people know commercial stations play it safe. These culture heads use any avenue available to get their brand to the eyes and ears of the masses.
HTTP://WWW.RULESOFCULTURE.COM
Baily @ KISS 100
Black Book Thief
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